Nikon 16 35 F4 Review

See the following image which is a composite of three shots showing the upper quarter of the FX frame in landscape orientation shot at 35mm 24mm and 16mm. The Nikon 16-35mm f4G VR turned out to be an excellent lens with impressive optics particularly when compared to its predecessor the 17-35mm f28D.

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Wide-angle zooms are prone to some heavy distortions and the Nikon 16-3540G VR is no exception.

Nikon 16 35 f4 review. I have never been able to produce a sharp hand-held shot at 12 of a second on a wide-angle lens and I was able to get quite a few good shots even at the shutter speed of 1 second 16mm. The Nikon 16-35mm ƒ4G ED VR II delivers remarkable sharpness uniformity across the full 35mm frame even at its shortest focal length and maximum aperture. 1 it had VR.

NIKON D700 16-35mm f4 35mm ISO 100 151 f220 The Vibration Reduction II VR II system on the Nikon 16-35mm f4G VR is truly amazing. That aside I do not consider the 14-24 corners at 14mm wide open as particularly sharp. MSRP 125995 122995 at Amazon PCMag editors.

The 16-35mm focal range offers the versatility to shoot fine art photography landscapes skylines and more. The Nikon 16-3540G VR is a mixed bag. Its designed primarily for use on full-frame DSLRs as a less-expensive alternative to the likes of the 17-35mm 128D or the 14-24mm 128G but is also fully compatible with DX bodies on which it offers a 24-50mm.

Nikon 16-35mm f4G VR review - Quality. It produces great center sharpness and impressive corners especially once stopped down to smaller apertures. Whether the differences at wider than f8 are sufficient to be detected in a print no more than 24.

Initially public sentiment was positive for this lens mostly because everyone thought that it was the modern wide angle zoom that restored filter use. The Nikon AF-S Nikkor 16-35mm 14G ED VR announced in February 2010 has the distinction of being the worlds first ultra-wideangle lens to feature optical image stabilization. The AF-S Nikkor 16-35mm F4 VR may be the first true wideangle zoom to incorporate optical image stabilization but while many headline-grabbing firsts end up being slightly disappointing products its anything but.

12th May 2014 Written by Thomas. All 4 lenses have distortion at the wide end with the 16-35 having most. In the video our presenter is given the task to review the latest and newest ultra wide angle zoom from Nikon - the 16-35mm f4 ED VRhttpbitlyNikon16-.

The 16-35mm f4G was a bit of a surprise when it first appeared. However stopped down to f8 the 16-35mm produces very similar results with excellent sharpness throughout the. With a constant f40 aperture and image stabilization it offers very nice features plus starts at 16mm which is very wide on a full-frame camera.

Its an ultra-wide angle zoom lens thats compatible with Nikons full-frame FX format DSLRs and was announced in 2010. Corners improve using either lens on stopping down with near equal performance by f8. The AF-S Nikkor 16-35mm f40G ED VR is the gold-ringed sister to Nikons 18-35mm f35-45G ED.

The Nikon AF-S Nikkor 16-35mm f4G ED VR lens can shoot images at dramatic wide angles but it needs to be stopped down for edge-to-edge crispness. The 16-35 has VR a modest 25 stops using CIPA is slightly behind the 14-24 and 24-70 optically but has nano. It also works on cropped-frame DX format models where it becomes equivalent to a 24-53mm zoom.

While the Nikon 16-35mm f4G VR shows pretty impressive performance wide open it is no match to the 14-24mm f28G at equivalent apertures especially in the extreme corners. Overview A super-wide angle lens that comes with handy zoom and exceptional image quality the AF-S NIKKOR 16-35mm f4G ED VR is the ideal camera for a range of indoor or outdoor photography as well as HD videos. The corners on the 16-35 at 35mm f4 wide open are a little softer than the corners of the original 14-24 wide open at f28.

The 16-35mm is simply a very good wideangle lens that happens to. And 2 it wasnt a 17-35mm replacement.