Canon 17 35

17-35mm f4 Pro FX Canon EF. Much wider aperture.

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Its optics are about as good as the Canon 16-35mm f28 2001-2007.

Canon 17 35. The filter size is 77mm which is a shared entity by many f28 Canon L zooms. 460 g vs 500 g. A large aperture super wide angle zoom lens with the wide-angle focal length of 17mm.

This Tokina 17-35mm f4 is as sharp as Nikons professional 17-35mm f28 AF-S. Just changing the white balance. Object magnification of 19 at 35mm.

Introduction Prior to the release of the new 16-35mm f28L the Canon 17-35mm f28L lens was the professional photographers only choice for the ultra wide zoom range. Compared to digital camera lenses. A large aperture super wide angle zoom lens with the wide-angle focal length of 17mm.

This ultra wide-angle lens gives you a 1039 angle of view at the 17mm end of the zoom and a bright constant f40 maximum aperture making it. EF 17-40mm f4L USM. The optical system has two aspherical elements including the first lens element which is a ground and polished aspherical glass lens element thoroughly eliminating the distortion that is normally a problem with wide angle zoom lens.

No image stabilization. The 17-35mm f4 Pro FX Lens for Canon Cameras from Tokina is designed for use with a Canon full frame digital or film camera. The Canon 17-35mm f28 L 1995-2001 is Canons lightest f28 ultrawide zoom ever has a metal filter thread and great ergonomics with instant manual-focus override and a great focal length range.

The Tamron 17-35mm f28-4 Di OSD is a relatively small and light non-stabilized wide-angle zoom lens with a large f28 focal ratio at the short-end thats designed for full-frame cameras and available in Canon and Nikon mounts. Its not quite as sharp and lacks the VR of Nikons 16-35mm VR. The minimal focus distance is 042m resulting in a max.

As far as color and image is concerned 17-40 looks to be a bit cooler or 16-35 bit warmer. Colours and contrast are absolutely fine AF is quick. Canon EF 17-40mm f4L USM Competitors.

Offering a 2x zoom at moderately wide angles of view its one of a series of wide-angle zoom lenses the company produces. 17-40 could be eeking out some better contrast or that could just be the slight cooler temperature to the shot. Common Strengths Common Weaknesses.

A petal-shaped hood as well as a hard case is part of the standard package not shown here. The optical system has two aspherical elements including the first lens element which is a ground and polished aspherical glass lens element thoroughly eliminating the distortion that is normally a problem with wide angle zoom lens. Reasons to choose Canon EF 17-40mm f40L USM over Tamron 17-35mm F28-4 Di OSD.

Lightweight and versatile the Tamron 17-35mm f28-4 DI OSD Lens covers a range of wide-angle focal lengths while maintaining a bright maximum aperture. At f56 and higher the Tamron is also sharper. 93 mm vs 97 mm.

Canon EF 17-40mm f4L USM Ultra Wide Angle Zoom Lens for SLR Cameras Sigma 17-50mm f28 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera Tokina ATXAF120DXC 11-20mm f28 Pro DX Lens for Canon EFBlack. Focal Length - Tele. 20-35mm f28 L 1989-1995.

The variable aperture of f28-4 provides exceptional control over depth of field and. The EF 17-35mm f28L USM provides silenthigh speed autofocus with optical performance equal or superior to similiar fixed focal lengths lenses. Tokinas recently released SD 17-35mm f4 AT-X PRO FX lens is designed for Nikon and Canon cameras with 36 x 24 mm sensors but can also be used on Canon and Nikon bodies with APS-C sized sensors.

Unlike any other ultrawide zoom this Tokinas distortion is invisible at almost every setting. Sigma 35mm f14 DG HSM Art Canon-ef. Is a prime lens.

At 17mm there is lot of distortion but at 35mm it is less distorted than my Canon EF 3520. This Tokina lens has much less distortion than any other ultrawide zoom regardless of price. The roof looks warmer on the 16-35.

Both are excellent choices considering the flexibility and image quality they provide.